One has to look very closely to find which artists get funding in Ottawa. That’s not a problem but the fact that no one celebrates these grants is.

You have to go into Brenda Gale Warner’s house to see the work at Galerie 240. Now she takes time to answer Status Quo’s 20 questions.

Our federal government has made its declaration: we like all you arts-and-culture people but the cash is going to the Queen.

Online file-sharing is no more controllable than the decline of empires. So why do emperors think they can stop the clock?

Tina Fedeski has ensured her Orkidstra music program is about creating virtuoso people, not virtuoso musicians.

El Sistema’s use of music as a tool instead of a product has shifted Venezuela’s socio-economic landscape. The style has spread around the world, including into Tina Fedeski’s Leading Note Foundation.

Two artists finally get a canvas at Gallery 101 to dissect the guts of bureaucratic office life. Bureaucracy may make you laugh or cry, but it will be recognizable to the vast majority of Ottawa workers.

What happens when you get caught falsifying your resume? Artist Michel Luc Bellemare tries to explain himself.

Most of Ottawa’s arts scene is reported by alternative media. These outlets come and go, but without them the city could easily forget that there’s any creative industry here at all.

How easy is it to build a Guerilla? Tony Martins did it in Ottawa; now he’s setting his sites on the rest of Canada.