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	<title>UnFolding &#187; Reviews</title>
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	<description>Ottawa&#039;s arts, events &#38; creativity</description>
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		<title>Thauvette and Thompson</title>
		<link>http://www.unfolding.ca/index.php/thauvette-and-thompson</link>
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		<pubDate>Thu, 08 Apr 2010 16:29:30 +0000</pubDate>
		<dc:creator>MLevin</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.unfolding.ca/?p=489</guid>
		<description><![CDATA[Peter Simpson finds theatre and mania in two new shows.]]></description>
			<content:encoded><![CDATA[<p>We all like the work of major talents, especially if we’re not sure what to make of their creations. Peter Simpson has no doubt about a couple local artists whose current shows he’s reviewed on his Big Beat arts blog.</p>
<div id="attachment_491" class="wp-caption aligncenter" style="width: 649px"><a href="http://www.unfolding.ca/wp-content/uploads/2010/04/anniversaire_petit1.jpg"><img class="size-full wp-image-491" title="anniversaire_petit" src="http://www.unfolding.ca/wp-content/uploads/2010/04/anniversaire_petit1.jpg" alt="" width="639" height="410" /></a><p class="wp-caption-text">The Dionne&#39;s Birthday. Photo courtesy of Genevieve Thauvette.</p></div>
<p>He’s tickled by <a href="http://communities.canada.com/OTTAWACITIZEN/blogs/bigbeat/archive/2010/04/07/genevieve-thauvette-finally-brings-her-dionne-photos-to-ottawa.aspx">Geneviève Thauvette’s</a> photographic show at <a href="http://www.dalesmithgallery.com/index.php">Dale Smith Gallery,</a> which says a lot because the whole thing is only six pictures. But Simpson sees vision far beyond Thauvette’s 24 years and is impressed by her international pedigree. But he’s most attracted to the fun in her work: “She sees the theatricality of life and casts herself seamlessly into many roles.”</p>
<div id="attachment_492" class="wp-caption alignleft" style="width: 198px"><a href="http://www.unfolding.ca/wp-content/uploads/2010/04/art_135.jpg"><img class="size-medium wp-image-492" title="art_135" src="http://www.unfolding.ca/wp-content/uploads/2010/04/art_135-188x300.jpg" alt="" width="188" height="300" /></a><p class="wp-caption-text">Animal instinct. Photo courtesy of Stefan Thompson.</p></div>
<p><a href="http://communities.canada.com/OTTAWACITIZEN/blogs/bigbeat/archive/2010/04/07/the-surreal-world-of-stefan-thompson.aspx">Stefan Thompson</a> is a different creature, literally as well as figuratively. There’s strong, animal emotion all over the show he has up at <a href="http://www.patrickgordonframing.ca/">Patrick Gordon Framing</a> (plus a sculptural piece at <a href="http://www.patrickjohnmills.ca/">Patrick Mills’</a> <em>Group Show</em>). Simpson loves the maniacal sense that percolates through Thompson’s creatures: “The birds and other creatures in Thompson’s work do look to be profoundly, strangely, off — perhaps angry, perhaps fearful, but undoubtedly out-of-sorts.”</p>
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		<title>Sex, Opera and Joel Crary</title>
		<link>http://www.unfolding.ca/index.php/sex-opera-and-joel-crary</link>
		<comments>http://www.unfolding.ca/index.php/sex-opera-and-joel-crary#comments</comments>
		<pubDate>Mon, 29 Mar 2010 15:42:12 +0000</pubDate>
		<dc:creator>MLevin</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Atom Egoyan]]></category>
		<category><![CDATA[Bytowne Cinema]]></category>
		<category><![CDATA[Chloe]]></category>
		<category><![CDATA[Joel Crary]]></category>
		<category><![CDATA[Ottawa film]]></category>

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		<description><![CDATA[Joel Crary finds theatre in Atom Egoyan's latest film.]]></description>
			<content:encoded><![CDATA[<p>Not many reviewers can sit through a sexually charged movie and see in it the warp and woof of opera. When Joel Crary watched Atom Egoyan’s Chloe at the <a href="http://www.bytowne.ca/">Bytowne Cinema,</a> he was pulled back to his studies at the University of Toronto to find the film’s comedic timing and situational irony.</p>
<p><em>&#8220;…it is a story that has been playing out on stages for hundreds of years and more, but it recognizes that what makes it interesting is the way eroticism continues to surprise us.”</em></p>
<p>For a young man, Crary is one of Ottawa’s most-gifted movie reviewers because he’s able to pull the little threads of history and context together to explain clearly what’s happening on the screen. When watching sex in the dark, it helps to know that I’m not the only one seeing theatricality in it.</p>
<p><em>“In 1996, filmmaker Atom Egoyan directed his first opera production for the (Canadian Opera Company), an adaptation of Richard Stauss’ </em>Salome<em>, at least partly famous for its seductive dance of the seven veils.</em> Chloe<em> is Egoyan’s latest erotic adaptation and it surges with the retreat and advance of operatic themes and timing…”</em></p>
<div id="attachment_415" class="wp-caption aligncenter" style="width: 760px"><a href="http://www.unfolding.ca/wp-content/uploads/2010/03/banner.jpg"><img class="size-full wp-image-415" title="banner" src="http://www.unfolding.ca/wp-content/uploads/2010/03/banner.jpg" alt="" width="750" height="224" /></a><p class="wp-caption-text">www.joelcrary.com</p></div>
<p>Crary is also prolific, reviewing at least five films a week on his site <a href="http://www.joelcrary.com">www.joelcrary.com</a>.<em> Chloe</em> is just the most-recent, and his insight on Poly<em>technique</em>, a film about the 1989 shooting murders at École Polytechnique in Montreal, is one the most perceptive I’ve ever read. <em>Chloe </em>plays at the Bytowne until April 8.</p>
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