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Articles tagged with: Paul Dewar

April 2011
Arts Funding: The Difference Between Promises and Realities

Art Matters, but to whom? And how far is a politician willing to go to get it on a government’s agenda? The answers are never clear.

June 2010
Canada’s Parliamentary Arts Caucus

I’ve often written about the lack of squeak in the wheel of Canada’s arts communities. For an industry under a rising tide of marginalization, to be so quiet is absolutely confusing, especially given that specific groups, like festivals, can bombard the media with information and calls for attention – and get it. But as an overall community with a sermon’s message of the most positive things, the arts chapel is disappointingly hushed.

April 2010
A Glorious Opportunity at City Hall

In 2003 Ottawa’s plan for its future – 20/20 – included a gift from the gods for the city’s arts: more money, more venues, more capacity (getting the private sector to ante up). This is politics in its purest form – all upside, no trade-offs. With 20/20’s first FYAP (Five-Year Action Plan) finished, it’s time to count the chips.
During the past seven years there have been changes in the cultural industries here, including two massive funding slashes driven through by Mayor Larry O’Brien and a few gentle financial replacements. Some …

March 2010

Frustration with politics seems to fester in the reality-free gap between expectation (or, in some cases, campaign promises) and execution. One of the reasons arts gets too-short a rope in our culture is that artists have enough reality-free zones of their own to explore without worrying about the lobbying it takes to get real political traction.
Paul Dewar has a weird way of looking at the cause: he thinks many artists spend time protecting themselves against government actions. I wouldn’t believe him if he weren’t the Member of Parliament for Ottawa …

February 2010

When I saw a movie called Blade Runner in 1982, I felt my first real empathetic pang of what death could feel like. The movie had violence, eroticism and very cool special effects, and maybe that’s what caused the death-implication imprint on me that Midnight Cowboy, Vanishing Point and Silent Running (all equally profound statements on dying) didn’t have. It’s almost impossible
to predict what kind of sensory images will go deep into the bone, and that’s the problem facing creative expression in Canada today. It’s not a genetic issue; we …

January 2010

However you’ve landed here, welcome. I’m hoping it’s because you are part of, or just interested in, Ottawa’s arts and creativity. That’s what UnFolding’s blog is all about, as will be its full Website when it launches in early March. Both carry on the print edition’s attempt (as Kitch Art 2007-2009; as UnFolding 2009) to reveal that Ottawa is actually a very creative place. As far as I can tell, this is the first entity devoted to all Ottawa’s arts. Others do parts of it very well, but it is …